Installation view Stromingen, ArtBase Terneuzen, 25 April – 17 May 2025

Installation view Stromingen, ArtBase Terneuzen, 25 April – 17 May 2025

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Installation view Stromingen, ArtBase Terneuzen, 25 April – 17 May 2025

Installation view Stromingen, ArtBase Terneuzen, 25 April – 17 May 2025

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Lobby, 2025, Dow Styrofoam Roofmate insulation panels

Lobby, 2025, Dow Styrofoam Roofmate insulation panels

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Lobby, 2025, Dow Styrofoam Roofmate insulation panels

Lobby, 2025, Dow Styrofoam Roofmate insulation panels

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Lobby, 2025, Dow Styrofoam Roofmate insulation panels

Lobby, 2025, Dow Styrofoam Roofmate insulation panels

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Stromingen, 2025, watercolours on paper, plastic euro containers, plastic jerrycans filled with water from various water bodies contaminated with PFAS, heavy metals and pesticide metabolites, plastic labels Installation view Stromingen, ArtBase Terneuzen, 25 April – 17 May 2025

Stromingen, 2025, watercolours on paper, plastic euro containers, plastic jerrycans filled with water from various water bodies contaminated with PFAS, heavy metals and pesticide metabolites, plastic labels

Installation view Stromingen, ArtBase Terneuzen, 25 April – 17 May 2025

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Stromingen, 2025, detail. Watercolours by Corrie Kalisvaart, Riet van de Langkruis, and Willy Wiskerke of Team PFAS at the women’s association Vrouwen van Nu (Terneuzen and Kapelle-Biezelinge branches); students Juda Munneke, Lisa Schuitvlot, Maja Hamerlinck, Melisa Astilean, Milan Verhelst, Shanaya van Delft, Tim Hagen, and Neill Verdoorn of Lodewijkcollege in Terneuzen; Annosh Urbanke, Cathy Jacob, Minsu van der Straaten, Adriënne van der Werf, Tamara Dees, Piet Dieleman, Timo Demollin, and Cees van der Woude, who also led watercolour workshops; painted on various types of watercolour paper and residual materials from the paper terminal of Verbrugge Terneuzen, a logistics service provider for transport, storage, and transshipment. Painted en plein air with a view of Cargill in Sas van Gent seen from the headland in the Ghent-Terneuzen Canal; View of 3M in Zwijndrecht seen from the Natura 2000 site Blokkersdijk in Antwerp Linkerover; View of Yara in Sluiskil seen from the seawall on Side Canal C of the Ghent-Terneuzen Canal; View of INEOS Project One in the port of Antwerp, the Natura 2000 site Scheldt and Durme Estuary from the Dutch border to Ghent, and the cooling towers of the ENGIE nuclear power plant in Doel seen from the Opstalvallei nature reserve in Berendrecht; View of Dow Chemical and the Braakmankreek from the hamlet of Paradijs in Hoek; View of the Zeeland Refinery, Zeeland Solar, and nature reserve ’t Sloe seen from the Luxemburgweg in the Sloe area of Vlissingen-Oost.

Stromingen, 2025, detail. Watercolours by Corrie Kalisvaart, Riet van de Langkruis, and Willy Wiskerke of Team PFAS at the women’s association Vrouwen van Nu (Terneuzen and Kapelle-Biezelinge branches); students Juda Munneke, Lisa Schuitvlot, Maja Hamerlinck, Melisa Astilean, Milan Verhelst, Shanaya van Delft, Tim Hagen, and Neill Verdoorn of Lodewijkcollege in Terneuzen; Annosh Urbanke, Cathy Jacob, Minsu van der Straaten, Adriënne van der Werf, Tamara Dees, Piet Dieleman, Timo Demollin, and Cees van der Woude, who also led watercolour workshops; painted on various types of watercolour paper and residual materials from the paper terminal of Verbrugge Terneuzen, a logistics service provider for transport, storage, and transshipment. Painted en plein air with a view of Cargill in Sas van Gent seen from the headland in the Ghent-Terneuzen Canal; View of 3M in Zwijndrecht seen from the Natura 2000 site Blokkersdijk in Antwerp Linkerover; View of Yara in Sluiskil seen from the seawall on Side Canal C of the Ghent-Terneuzen Canal; View of INEOS Project One in the port of Antwerp, the Natura 2000 site Scheldt and Durme Estuary from the Dutch border to Ghent, and the cooling towers of the ENGIE nuclear power plant in Doel seen from the Opstalvallei nature reserve in Berendrecht; View of Dow Chemical and the Braakmankreek from the hamlet of Paradijs in Hoek; View of the Zeeland Refinery, Zeeland Solar, and nature reserve ’t Sloe seen from the Luxemburgweg in the Sloe area of Vlissingen-Oost.

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Stromingen, 2025, watercolours on paper, plastic euro containers, plastic jerrycans filled with water from various water bodies contaminated with PFAS, heavy metals and pesticide metabolites, plastic labels

Stromingen, 2025, watercolours on paper, plastic euro containers, plastic jerrycans filled with water from various water bodies contaminated with PFAS, heavy metals and pesticide metabolites, plastic labels

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Maurice Góth (1873-1944), Duinlandschap, 1915, mixed media, on loan from MTVP Museum Domburg Installation view Stromingen, ArtBase Terneuzen, 25 April – 17 May 2025

Maurice Góth (1873-1944), Duinlandschap, 1915, mixed media, on loan from MTVP Museum Domburg

Installation view Stromingen, ArtBase Terneuzen, 25 April – 17 May 2025

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Stromingen, 2025, detail. Watercolours by Corrie Kalisvaart, Riet van de Langkruis, and Willy Wiskerke of Team PFAS at the women’s association Vrouwen van Nu (Terneuzen and Kapelle-Biezelinge branches); students Juda Munneke, Lisa Schuitvlot, Maja Hamerlinck, Melisa Astilean, Milan Verhelst, Shanaya van Delft, Tim Hagen, and Neill Verdoorn of Lodewijkcollege in Terneuzen; Annosh Urbanke, Cathy Jacob, Minsu van der Straaten, Adriënne van der Werf, Tamara Dees, Piet Dieleman, Timo Demollin, and Cees van der Woude, who also led watercolour workshops; painted on various types of watercolour paper and residual materials from the paper terminal of Verbrugge Terneuzen, a logistics service provider for transport, storage, and transshipment. Painted en plein air with a view of Cargill in Sas van Gent seen from the headland in the Ghent-Terneuzen Canal; View of 3M in Zwijndrecht seen from the Natura 2000 site Blokkersdijk in Antwerp Linkerover; View of Yara in Sluiskil seen from the seawall on Side Canal C of the Ghent-Terneuzen Canal; View of INEOS Project One in the port of Antwerp, the Natura 2000 site Scheldt and Durme Estuary from the Dutch border to Ghent, and the cooling towers of the ENGIE nuclear power plant in Doel seen from the Opstalvallei nature reserve in Berendrecht; View of Dow Chemical and the Braakmankreek from the hamlet of Paradijs in Hoek; View of the Zeeland Refinery, Zeeland Solar, and nature reserve ’t Sloe seen from the Luxemburgweg in the Sloe area of Vlissingen-Oost.

Stromingen, 2025, detail. Watercolours by Corrie Kalisvaart, Riet van de Langkruis, and Willy Wiskerke of Team PFAS at the women’s association Vrouwen van Nu (Terneuzen and Kapelle-Biezelinge branches); students Juda Munneke, Lisa Schuitvlot, Maja Hamerlinck, Melisa Astilean, Milan Verhelst, Shanaya van Delft, Tim Hagen, and Neill Verdoorn of Lodewijkcollege in Terneuzen; Annosh Urbanke, Cathy Jacob, Minsu van der Straaten, Adriënne van der Werf, Tamara Dees, Piet Dieleman, Timo Demollin, and Cees van der Woude, who also led watercolour workshops; painted on various types of watercolour paper and residual materials from the paper terminal of Verbrugge Terneuzen, a logistics service provider for transport, storage, and transshipment. Painted en plein air with a view of Cargill in Sas van Gent seen from the headland in the Ghent-Terneuzen Canal; View of 3M in Zwijndrecht seen from the Natura 2000 site Blokkersdijk in Antwerp Linkerover; View of Yara in Sluiskil seen from the seawall on Side Canal C of the Ghent-Terneuzen Canal; View of INEOS Project One in the port of Antwerp, the Natura 2000 site Scheldt and Durme Estuary from the Dutch border to Ghent, and the cooling towers of the ENGIE nuclear power plant in Doel seen from the Opstalvallei nature reserve in Berendrecht; View of Dow Chemical and the Braakmankreek from the hamlet of Paradijs in Hoek; View of the Zeeland Refinery, Zeeland Solar, and nature reserve ’t Sloe seen from the Luxemburgweg in the Sloe area of Vlissingen-Oost.

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Printed publication Stromingen, 2025

Printed publication Stromingen, 2025

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Printed publication Stromingen, 2025

Printed publication Stromingen, 2025

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1">/12

Timo Demollin is an artist based in Amsterdam, NL

Contact

Selected Exhibitions

  1. 2025

    Stromingen, ArtBase Terneuzen

  2. 2024

    Open Studios 2024⁠⁠(opens in a new tab)⁠, Rijksakademie van beeldende kunsten, Amsterdam

  3. 2023

    Petromelancholia⁠⁠(opens in a new tab)⁠, Brutus, Rotterdam

  4. 2023

    Fruits of Labour⁠⁠(opens in a new tab)⁠, Museum Dhondt-Dhaenens, Deurle

  5. 2022

    Turns⁠⁠(opens in a new tab)⁠, Stedelijk Museum Schiedam

  6. 2021

    The Best Dutch Book Designs 2020⁠⁠(opens in a new tab)⁠, Stedelijk Museum Amsterdam

  7. 2020

    In the Presence of Absence. Proposals for the Museum Collection⁠⁠(opens in a new tab)⁠, Stedelijk Museum Amsterdam

Residencies

  1. 2025

    Jester, Genk

  2. 2025

    Nesse, Terneuzen

  3. 2022⁠​–⁠24

    Rijksakademie van beeldende kunsten, Amsterdam

  4. 2022

    XXVI CSAV Artists’ Research Laboratory with John Knight, Fondazione Antonio Ratti, Como

  5. 2019

    Pompgemaal, Den Helder

  6. 2018

    Gastatelier Leo XIII, Tilburg

Advisory Role

  1. 2018⁠​–⁠24

    Amsterdamse Kunstraad, various committees

Artist Publications

  1. 2025

    Stromingen

  2. 2020

    Visit (1883–2020). Notes on Museumplein’s exhibitionary complex across coloniality and modernity, ISBN 978-90-9033-758-6

  3. 2020

    Industry as Culture as Industry

  4. 2018

    Mutual Support: Interview with Olav Velthuis, May-June 2018

  5. 2018

    Foundation

Writing

  1. 2025

    Drive. Artists inside institutional hierarchies, ArtTable Netherlands

  2. 2025

    ‘Imagine a Rijksakademie led by artists’⁠⁠(opens in a new tab)⁠ On a future-proof Rijksakademie, Metropolis M

  3. 2025

    Organisatorische zaken. Naar een toekomstbestendige Rijksakademie, Metropolis M

  4. 2024

    Up and Down to Earth, Reinier Vrancken for Willem Twee Kunstruimte Den Bosch

  5. 2023

    ZAAK no. 2108/85, Pieter Paul Pothoven for Artissima, Dürst Britt & Mayhew

  6. 2022

    The luxury to engage, in On My Belly, On My Back, Fondazione Antonio Ratti

  7. 2021

    ‘Verzamelen betekent ook ontzamelen’, Metropolis M

  8. 2021

    The philanthropy trap⁠⁠(opens in a new tab)⁠. De fuik van filantropie⁠⁠(opens in a new tab)⁠, Platform BK

  9. 2021

    Bitte Nicht Berühren / Please Do Not Touch. Recente tentoonstellingen van Charlotte Posenenske, De Witte Raaf

  10. 2020

    LPG Modernity, in The Space Conductors Are Among Us, P/////AKT

  11. 2019

    Kunst zonder zichtbaarheid. Over het kunstwerk als beleggingsobject, Metropolis M

  12. 2018

    Full Disclosure: processes of corporatization in the public eye, self-published

Talks, Media, Press

  1. 2025

    Drowning in a Sea of Blurb⁠⁠(opens in a new tab)⁠: The Value of Writing in the Age of Content, AICA Salon, Perdu, Amsterdam

  2. 2025

    Stromingen. In conversation with Digna Sinke and Adriënne van der Werf, ArtBase Terneuzen

  3. 2025

    De loden last van Ammodo⁠⁠(opens in a new tab)⁠, Metropolis M

  4. 2025

    Zwarte Zwanen⁠⁠(opens in a new tab)⁠ ep. 10: De Pensioenmiljardenroof, dir. Cees Grimbergen, Omroep Max / NPO

  5. 2025

    Vals alarm politie⁠⁠(opens in a new tab)⁠: tekenclub aangezien voor actiegroep bij fabriek Cargill, Omroep Zeeland / NOS

  6. 2024

    Alles wird gut.⁠⁠(opens in a new tab)⁠ In conversation with Alexandra Hunts and Miloš Trakilović, Open Studios 2024, Rijksakademie van beeldende kunsten, Amsterdam

  7. 2023

    Monotonie ist schön. Charlotte Posenenske and the legacy of conceptualism. In conversation with Brenda Guesnet and Laurens Otto, celador, Brussels

  8. 2023

    Renzo Martens, Erken dat uitgebuite plantagearbeiders co-auteurs van het Stedelijk zijn, NRC

  9. 2023

    Harmen van Dijk, Een Palestijnse verzetsstrijder en Tineke Netelenbos, verrassende kunst in de Rijksakademie⁠⁠(opens in a new tab)⁠, Trouw

  10. 2022

    Sanneke Huisman, Stedelijk Museum Schiedam. Kunst in het Trappenhuis, in ‘Nieuwe collectie. Aanwinsten 26 musea’, Metropolis M

  11. 2022

    Kunst in het trappenhuis met Timo Demollin⁠⁠(opens in a new tab)⁠, Stedelijk Museum Schiedam

  12. 2022

    Van links naar rechts⁠⁠(opens in a new tab)⁠. In conversation with Jelle Bouwhuis, Museum Arnhem Podcast

  13. 2022

    De Staat van Mecenaat⁠⁠(opens in a new tab)⁠. De culture of giving in de Nederlandse kunstsector 10 jaar na de bezuinigingen. In collaboration with Platform BK and Framer Framed, Amsterdam

  14. 2021

    Post-Precarity Autumn Camp⁠⁠(opens in a new tab)⁠, Hotel Maria Kapel, Hoorn

  15. 2021

    Plannen voor museum hedendaagse kunst op Amsterdamse Zuidas, De Witte Raaf

  16. 2021

    Stedelijk Studies, Changing and learning. A conversation between Yvette Mutumba and Rein Wolfs, Szine #1

  17. 2020

    Fabienne Rachmadiev, Tussen ‘hier’ en ‘daar’, De Groene Amsterdammer

  18. 2020

    Maria van Oosterhout, In the Presence of Absence, De Witte Raaf

  19. 2020

    Sarah van Binsbergen, Het Stedelijk Museum in Amsterdam doet aan zelfreflectie, Volkskrant

  20. 2020

    Jan Pieter Ekker, Sprankelende kritiek op heden en verleden, Het Parool

  21. 2018

    Domeniek Ruyters, Over 'de comeback-city' - Tilburg Oud-Noord⁠⁠(opens in a new tab)⁠, Metropolis M

  22. 2018

    Laurens Otto, This Time It’s Personal⁠⁠(opens in a new tab)⁠: Politics as an Expansion of the Self, in The Name of the Author, Sandberg Instituut

  23. 2018

    Domeniek Ruyters, Graduation Shows 2018 Sandberg Institute Fine Arts Department⁠⁠(opens in a new tab)⁠, Metropolis M

Grants, Fellowships, Awards

Mondriaan Fonds
Amarte Fonds
De Nederlandsche Bank (Rijksakademie Fellowship)
Cultuurfonds: Knecht-Drenth Fonds, Vigo-brug Fonds (Rijksakademie Fellowship)
The Best Dutch Book Designs
Pictoright Steunfonds
Stichting Vrienden Stadsarchief Amsterdam
Leo XIII Award, Gastatelier Leo XIII
Amsterdams Fonds voor de Kunst

Education

  1. 2022⁠​–⁠24

    Rijksakademie van beeldende kunsten, Amsterdam

  2. 2019

    BAK Public Studies: Art and Politics, BAK, Utrecht

  3. 2016⁠​–⁠18

    MA Fine Arts, Sandberg Instituut, Amsterdam

Photo Credits

Quinten Buijsse, Robert Glas, Aad Hoogendoorn, Lola Pertsowsky, Gert Jan van Rooij, Gerrit Schreurs, Luuk Smits, Sander van Wettum